Roadside Picnic - Boris and Arkady Strugatsky, a review
Roadside picnic is a very interesting book. I think the way most people hear about it is via the summary that I first encountered which got me interested in reading it:
"Roadside picnic is about stalkers, people who go into "the zone", a mysterious area filled with alien technologies left by aliens who visited earth."
Sometimes there is more information, sometimes less, but essentially the purported focus of the book always seems to be on the things that the stalkers do in the zone. Certainly, though I have never seen or played the multiple pieces of media inspired by roadside picnic, that is what those tend to focus on.
I do not think that this is the best introduction to the book.
To me, the book is one of the very few sci-fi books that chooses to focus not on the aspect of its story that makes it sci-fi (strange technology, aliens, spaceships ect) but instead the impact that these have on the people that are affected by the technology. Roadside picnic is not really about the expeditions into the zone - it is about the things that make people go into the zone, the things that happen to them and their families when they come out. 'The Visitors' (the aliens that visit earth and leave behind them the zones) are just as mysterious and meaningless at the beginning of the story as they are at the end. The zone is fascinating, yes, but humanity seemingly is unable to understand anything that comes out of it. It is maddeningly inexplicable and neither the characters or the reader ever really gets any sense that anyone understands it in any sense of that word. The stalkers have a seemingly instinctual sense for the inner workings, yes, but (as a character in the story explains) they are just as clueless as the scientists studying the zone, only with different motives1 behind trying to understand it.
Like another piece of sci-fi from the era, Solaris by Stanislaw Lem, the book posits that we cannot really ever expect to understand the machinations of an alien mind (that very concept itself being so humanocentric as to be infantile) and it presents its characters exploring this idea in almost diametrically opposed ways. In solaris, the answer to uncertainty is ultimately meaningless academia, while in roadside picnic the characters instead choose to let their emotions drive them deep into the source of the mystery to pinch whatever bits of practical value they can.
Roadside picnic is very much a story of desperation and the things that drive people to do dangerous things. The main character slowly became one of my favourite tragic figures I have ever read about, and roadside picnic humanises him in such a beautiful way, while simultaneously keeping him ambiguous in the same way all the other characters are.
One thing that has to be addressed is the fact that the female characters in the book are rarely more than the smallest slivers of actual human beings - being present either to be related to one of the characters in some way or to deliver information, and though this is probably a remnant of the era the book was written in, it does make me thankful for modern sci-fi to be much better in this regard (Anhilation by Jeff Van Der Meer is a roadside-picnic inspired example).
The book is obviously translated from the original russian, but I found the translation I read to be wonderfully mystical, almost as if I were traversing through the aged memories of the people I was reading about. The prose managed to be simultaneously be simple and direct while also engendering a great deal of meaning and emotional depth. The novel is one that lingers in my mind and one which shows off the fact that to write a good sci-fi novel you need both a good sense of interesting things to show off, but that none of it means anything if you are unable to make me care about the people (or organisms in general, or whatever theoretical pseudo-life you may be writing about).
And even an entirely different language to explain the objects and phenomena they see.↩